In class last week, a few people referred to the mural found at central ministry building for Tierra Nueva, up in Burlington, WA. Here is the link: Troy Terpstra Mural.
Rachel Beatty also sent this helpful explanation. Rachel, thanks for sending the link and the words from the artist! This is truly a prophetic and theological work of art. I hear and see many of the images and metaphors that we discussed in class this last week in this painting. Enjoy:
Here is an explanation of the piece from Troy before the mural was completed, that speaks of the water as baptismal. It is from the Tierra Nueva e-testimony blog:
"At the center of the mural is Christ. He will be tattooed, appearing to be an ex-con. Jesus is an ex-con of sorts, but the idea is inspired by drawings done by prisoners and given to the staff here at Tierra Nueva. Many prisoners feel a deep sense of shame and inadequacy when invited to know a God they have always perceived as judgmental and harsh. This portrayal of Christ as a modern day convict aims to contextualize the Gospel into our present culture. Jesus of the ghetto, Jesus of the barrio, is the Jesus of Nazareth. We want the men in the Skagit Valley Jail to know the Jesus who rolled with his society's misfits and outcasts, and who longs to be with them today. On the left, the character of Jesus embraces a young prisoner in a county jail uniform. The jail chaplaincy has been an amazingly fruitful ministry, and I am continually amazed at the stories of healing and renewal that come out of the jail every week.
On the right, Jesus has his arm around a campesina (female farm worker) who stands in the strawberry fields. She is weary and a palette of harvested fruit rests on her hips. Much of Tierra Nueva's ministry is to farm workers, who continuously move to follow the seasonal work, uprooting their families and working sun-up to sun-down for less than minimum wage. Our Family Support Center assists these people in finding housing, obtaining legal help, and in many other basic needs. I want to honestly portray the labor endured by migrant farm workers, as well as the closeness to the heart of Christ they have.
At the top of the wall, the Hands of our Abba pour out the baptism of the Holy Spirit, which is made of water and takes the shape of a dove. The waters pass through a gaping wound in the torso of the living Christ, the self-giving sacrifice of love which conquers death. Many characters, addicted, accused and accusing, rich and poor, liberated and bound up, undergo the baptismal outpouring. Chains, addiction, resentment, guilt, and death itself drown under the waters.
Coming up from the waters (the wings of the dove) two joyful worshippers emerge, a woman pounding the drums of mercy and a man blowing the horn of justice, crashing through the oppressive orderliness of the vertical prison bars and the horizontal field rows. I love the idea of the Holy Spirit breaking into prison. The prison cells sit under the night sky of a city contrasted with the field under the full sun of a summer day.
I have taken over a year to settle on the design, and I don't think I quite understood the process of mural making when I began this project, so the slowness has been very educational. I have drawn and redrawn this design several times, and God willing I am nearing the day when I will begin to paint it.
Bruce Cockburn has a line in his song 'Mystery' that goes "come all you stumblers who believe love rules – stand up and let shine." I like to think that this e-testimony is addressed to the 'stumblers who believe love rules.' Come by and check out the mural if you are in the neighborhood."