Enoch Henry Light (18 August 1905, in Canton, Ohio – 31 July 1978, in Redding, Connecticut) was a classical violinist, bandleader, and recording engineer. As A&R chief and vice-president of Grand Award Records, he founded Command Records in 1959. Light's name was prominent on many albums both as musician and producer. In the 1930s Light studied conducting with the French conductor Maurice Frigara in Paris.
He is credited with being one of the first musicians to go to extreme lengths to create high-quality recordings that took full advantage of the technical capabilities of home audio equipment of the late 1950s and early 1960s, particularly stereo effects that bounced the sounds between the right and left channels (often described as "ping-pong").
He arranged his musicians in ways to produce the kinds of recorded sounds he wished to achieve, the first to do so. The first of the albums produced on his record label, Command Records, Persuasive Percussion, became the first huge hit based solely on retail sales. His songs received little or no airplay on the radio, because AM radio, the standard of the day, was monaural. Light went on to release several albums in the Persuasive Percussion series, as well as a Command test record.
The album covers were generally designed with abstract, minimalist artwork that stood out boldly from other album covers. These pieces were usually the work of Josef Albers. Light was so interested in the sounds of his music that he would include lengthy prose describing each song's sounds. In order to fit all of his descriptions on to the album sleeve, he doubled the size of the sleeve but enabled it to fold like a book, thus popularizing the gatefold packaging format. The gatefold sleeve became extremely popular in later decades, and was used on albums such as The Beatles' Sgt. Pepper's Lonely Hearts Club Band.
Enoch Light released myriad albums in various genres of music under a variety of names during the late 1950s and early 1960s. Some were released under Grand Award Records, a subsidiary label he founded earlier. The music was intended for older audiences, as opposed to most popular music of the time, which was usually aimed at teenagers. During this time, he pioneered many recording techniques such as the use of 35 mm mag (magnetic) film instead of magnetic tape, thereby reducing the effects of "wow" and "flutter". The recordings were released under the "35MM" series, starting from "Stereo 35-MM" released by Command Records. Musicians who appeared on Light's albums include The Free Design, The Critters, Rain, Doc Severinsen, Tony Mottola, Dick Hyman, and arranger Lew Davies.
In 1965, Light sold the Command record label, which had released the Persuasive Percussion series, to ABC Records, which itself was subsequently sold to MCA Records. After the sale, the quality of his records plummeted dramatically.[citation needed] The signature gatefold format (along with Light's prose) was immediately discontinued, and the covers changed to budget labels pressed on recycled vinyl.[citation needed] In 1975 they were completely discontinued.
Light continued recording after the sale of Command with a new label called Project 3, but did not concentrate so heavily on stereo effects. Light recorded several successful big band albums with his earlier established band in the Command days Enoch Light And The Light Brigade, using the original scores, keeping the arrangements as close to the original as possible. He retired from music entirely in 1974 and died four years later.
His rendition of "Autumn Leaves" was sampled by RJD2 for the song "A Beautiful Mine," which is the theme for the AMC drama Mad Men.
His version of "My Way of Life" was sampled by the Australian group The Avalanches for their hit song "Frontier Psychiatrist." (by wikipedia)
The records that Enoch Light made with his small Light Brigade ensemble feature some of Lew Davies' airiest, most adventurous arrangements, with many a song starting as a quiet bongo jam or a interplay of guitar lines and winds and the song's identity remaining mysterious for some time. "Vibrations" is named for the use of the ondioline, the sci-fi-sounding organ that takes some of the melody for "Remember" and "Dancing on the Ceiling." It's used sparingly, so not to sound gimmicky, and the majority of the album is a bongo and xylophone extravaganza. (by Ted Mills)
Personnel:
Phil Bodner (woodwind)
Bob Haggart (bass)
Al Klink (saxophone)
Milton Kraus (ondioline, organ)
Phil Kraus (percussion)
Don Lamond (percussion)
Tony Mottola (guitar)
Bobby Rosengarden (percussion)
Doc Severinsen (trumpet)
Ed Shaughnessy (percussion)
Stanley Webb (woodwind)
Moe Wechsler (piano)
conducted by Enoch Light
Tracklist:
01. Temptation (Brown/Freed) 2.58
02. I Get A Kick Out Of You (Porter) 2.17
03. Remember (Berlin) 2.51
04. Green Eyes (Utrera/Rivera/Woods/Gilberg/Menendez) 2.49
05. Stars Fell On Alabama (Perkins/Parrish) 3.11
06. As Time Goes By (Hupfeld) 2.25
07. That Old Black Magic (Arlen/Mercer) 2.17
08. Yesterdays (Harbach/Kern) 3.02
09. Music Maestro Please (Wrubel/Magidson) 3.09
10. Bidin' My Time (Gershwin) 2.15
11. A Game Of Chance (Davies/Drake/Light) 2.53
12. Dancing On The Ceiling (Hart/Rodgers) 2.30
ARMU 2432 (zippyshare)