A massive groover from Timmy Thomas – really hitting here on all burners, and moving with a groove that's much fuller than the drum machine fills of his early years! The sound is Miami club at its best – wickedly uptempo rhythms that are played with razor-sharp intensity – still mostly funk at the core, with lots of live instrumentation that moves at a precision that's hard to beat! Timmy still adds in some great sweet moments from time to time – reminding us of his skill with a ballad – but the groovers also push him into Bohannon territory – which is quite a compliment from us! King Sporty handled the arrangements and production – and definitely deserves credit for the grooves – and Betty Wright adds in a bit of sweet guest vocals too. Titles include "Touch To Touch", "When A House Got Music", "Game Of Life", "Africano", "Torrid Zone", "Love For The People", and "Sweet Music". ~ Dusty Groove
Timmy Thomas live, in front of a massive crowd in Johannesburg – really grooving with enthusiasm that's captured beautifully in the recording! The set's a great reminder that Timmy had lots of power away from the studio – that he wasn't just drum machine bits and disco riffs, and could more than hold his own like some of the bigger soul singers of his day. Thomas has a great presence on the stage, introducing the tunes – and his vocals are quite possibly even more powerful here than on any of his studio work too! Titles include a great version of "Why Can't We Live Together" – plus "Touch To Touch", "Rainbow Power", "Drown In My Own Tears", "Sweet Brown Sugar", and "Sipho Mazibuko (La La La)". ~ Dusty Groove
A Miami soul masterpiece from start to finish – and a lesser-known record from drum machine hit maestro Timmy Thomas! The album's got the feel of Timmy's classic Why Can't We Live Together album – but the overall sound is a bit fuller and richer, with a soulfulness that grabs us right away – and holds on through the entire set! Most of the tracks have that warm percolating early drum machine undercurrent that Timmy virtually pioneered at the time – followed by some great guitar work from Willie "Little Beaver" Hale, and some vocals from Timmy that sometimes have a nice deep soul feel. The album's worth it alone for the title track "You're The Song I've Always Wanted To Sing" – but the whole thing's great, and tracks include "Deep In You", "Let Me Be Your Eyes", "I've Got To See You Tonight", "One Brief Moment", "Ebony Affair", and "Deep In You". ~ Dusty Groove